Well, not much. An original Carroll Cloar oil painting, whose title now escapes me, was still available (a bargain at $45,000) along with a somewhat battered authentic "Indian Wars" sword ($750), a few pieces of furniture (a bed, some tables), some celluloid bridge markers ($65 each), and a box of old postcards and letters (none of them, as far as I could see, relating to Memphis).
Most of the glass-topped boxes containing the butterfly collections were still for sale on Monday, though priced at $195 to $265, so you had to really like butterflies if you wanted to take these home. (I have to admit, these really were magnificent butterflies.)
Just about the only books left were an 18-volume set of James Branch Cabell ($195).
Even so, it was certainly a treat to wander through the interesting old house, which is constructed inside and out in a rambling Tudor style, with uneven brickwork, tile floors, massive rough-hewn beams, hand-carved mantels, and curious creatures (is it a deer or a dog?) carved into the plaster door moldings here and there.
The most fascinating part of the house, to me, was Foote's former study, a vaulted room with a massive brick fireplace. I had seen plenty of images of him sitting at a low desk, ink pen in hand, with a mosaic of photos and letters neatly pinned to the wall behind him. Here's the same desk (above) as it appeared on Monday afternoon, looking rather forlorn and empty, with just sun-faded outlines showing where he had mounted his things to the wall. Rather depressing, yes.
PHOTO BY GREG AKERS