The Ostranders are usually a place where Memphis actors go to laugh together and celebrate the passing of another season. And it will be that again this year, of course. But having lost so many key players and personalities in the past year, it may also be a place where this tempest-tossed community goes for revival — and a big public cry.
Beloved Memphis performers like Dorothy Blackwood, Barry Fuller and Bennett Wood also trace origin stories to Front Street. It inspired and informed the development of Playhouse on the Square. Touliaotos' theater may only have lasted a dozen years or so, but its influence touches every corner of the contemporary Memphis theater landscape.
Touliatos died in Washington and hasn’t been a consistent part of the Memphis Theater family for a long time, but it’s impossible to imagine what that family might look today like without him.
Tony Anderson on the right.
Speaking of cliches, I’m pretty sure the expression “big things come in small packages,” was created to describe Anthony “Tony” Anderson who’s been one of my favorite actors for as long as I can remember. Anderson was a generous performer. He launched himself into parts with jarring force and seemed to have such a good time on stage it was impossible not to have a good time watching him, whether he was working out on a weighty classic like Master Harold… and the Boys or lending his talent to an unknown, unproven scripts written by local authors.
This year the Memphis theater community also says goodbye to icons and stars like Ann Sharp, Charles Billings, David Foster, and Greg Krosnes. We've lost touchstone choreographer and lifetime achievement honoree Otis Smith, and character actor David Muskin, whose performance as Solly Two-Kings in August Wilson’s Gem of the Ocean was a masterclass in subtlety and understatement.
A tribute is being planned for the August 26th award ceremony. Bring your own tissue.