It’s pointless to refer to “the death scene” in A Gentleman’s Guide to Love and Murder. The musical farce at Playhouse on the Square has eight or maybe nine of them, and every one of the characters who goes in extremis is played by the exceptional Michael Gravois.
The stage veteran throws himself brilliantly into the silliness, playing members of the D’Ysquith family who stand in the way of a greedy outcast whose mother married for (shudder) love and was therefore kicked out of the clan’s good graces.
Nonetheless, if certain of Monty Navarro’s relatives should die (the quicker the better), then he’ll be a duke with a wife, a mistress, and most importantly, money. But we really love to watch as Gravois bursts on stage as one of the royal relatives, expires, and then reappears moments later inhabiting the character and costume of another doomed relation.
Holding forth as the initially guileless Monty who embarks on a comic Breaking Bad as the bodies accrue, is Ryne Nardecchia, who played the role in the national tour and is flawless. Adam Cates directs and choreographs, and he, too, worked on the Broadway version and the national tour as associate choreographer.
It’s a thoroughly delightful escape, smartly produced, and scads of fun. If the orchestra would ease up a wee bit from time to time to let the singers be heard, it would be even better.